Magnificent silk Ikat Chapan – Uzbekistan. XIX Century
Ikat Chapan – a man’s uzbek coat – Style Robe with exceptionally rich colour and dynamic pattering. Viewers may become lost in this ikat’s intertwining motifs, but it is colour that truly entrances them. Each unique ikat is the work of an individual who thought deeply about his every choice of colour and form in order to build a harmonious composition. There is always a concern with negative and positive space, for the placement of each pattern and its corollary. We can see the risks that the anonymous ikat designers took and trace their response to each step of the dyeing process. In their way, each ikat is a discovery of a new kind of order.
Ca. 19th Century
Ikat weaving has emerged from different parts of the world independently, however it is ikat from Uzbekistan, defined as abrabandi, meaning “bound cloud” which is the most captivating. The word ‘ikat’ comes from the Malaysian word ‘mengikat’ or ‘to tie’, because the loose threads are tied into bundles using grasses or wax-treated cotton to specify where the dye is able to sink in and color the thread. The threads are dyed before they are woven into the textiles.
A characteristic of ikat textiles is an apparent “blurriness” to the design. The blurriness is a result of the extreme difficulty the weaver has lining up the dyed yarns so that the pattern comes out perfectly in the finished cloth. The blurriness can be reduced by using finer yarns or by the skill of the craftsperson. Ikats with little blurriness, multiple colours and complicated patterns are more difficult to create and therefore often more expensive. However, the blurriness that is so characteristic of ikat is often prized by textile collectors.
The Silk Road was a network rather than a single highway, at the heart of which sat what we know today as Uzbekistan, where mountain and steppe meet desert. A succession of empires lost and won by nomadic invaders have left behind a unique melting pot of cultures. Merchants, pilgrims, and envoys were attracted here, not only by trade but also by exchanges in religion, technology and the arts. Where these people met, so too did their ideas and their creativity, one of the most original and visually dramatic examples of Central Asian silk. The clarity, saturation and depth of colour in classical ikats are their greatest artistic strengths. The eye is teased, tickled by the sophistication of the composition and the elegance of the forms.
Measurements: 123 x 122 cm